Controversy Surrounds Trump Biopic at Cannes

The controversial Trump biopic 'The Apprentice' stirs a legal storm as the former president's camp threatens legal action against its portrayal of his rise to power and personal life.

Published May 22, 2024 - 00:05am

6 minutes read
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Directed by Ali Abbasi, 'The Apprentice' is not just a film; it's the epicenter of a brewing legal battle evoking strong reactions on both sides of the aisle. The movie, presented at the prestigious Cannes Film Festival, paints a less-than-flattering picture of Donald Trump, the business mogul turned politician, tracing his journey in the cutthroat world of New York real estate. Sebastian Stan's portrayal of Trump and Jeremy Strong's performance as Roy Cohn lead a narrative filled with ambition, scandal, and controversy.

The ex-president's campaign team has reacted fiercely. Steven Cheung, Trump's communications director, dismissed the film as 'trash' and 'pure fiction,' rattling sabers with threats of a lawsuit against what is deemed a series of long-refuted lies. Abbasi's work critically examines Trump's early years under the mentorship of Cohn, a notorious political manipulator, and includes scenes that have provoked backlash, including the dramatized depiction of Trump assaulting his first wife, Ivana Trump—a charge she made during a divorce deposition but later recanted.

As discussions ensue about the legal implications and whether Trump's legal threats may affect the movie's distribution, the film's creative team stands their ground. Abbasi at a news conference conveyed confidence, buoyed by his film's reception at Cannes and dismissing concerns about Trump's notorious litigiousness. The biopic comes at a crucial time when Trump once again hints at his presidential ambitions, just as the public grapples with his complex persona.

The film, competing for the Palme d'Or, has drawn parallels with New Hollywood masterpieces like 'Taxi Driver' and 'Midnight Cowboy', and aims to offer a 'punk rock version' of historical cinema. This approach inevitably sparks debates over creative freedom, artistic license, and the responsibilities entailed in portraying public figures, especially one as divisive as Trump.

Despite the furor surrounding 'The Apprentice', the Cannes Film Festival continued its celebration of cinema, awarding an Honorary Palme d'Or to the Japanese animation studio Ghibli, as well as showcasing other notable films awaited by audiences worldwide.

The contentious depiction of historical figures in cinema is a subject that invariably causes heated discussions. Likeness rights, defamation, and the moral obligations of filmmakers are topics that are now in the spotlight because of 'The Apprentice'. Legal experts argue that public figures like Donald Trump have a lower threshold for winning defamation suits due to their status, implying that the filmmakers might be on firmer ground than the ex-president's team contends. Additionally, the film touches upon the concept of 'actual malice' which is the legal standard set by the Supreme Court in cases involving public figures, further complicating any potential litigation.

Ali Abbasi's directorial choices have undoubtedly drawn attention to his storytelling prowess. However, they also raise questions about the narrative liberties taken with documented historical facts versus dramatization for cinematic effect. The edgy narrative and ambitious stylistic choices reveal an intention to provoke thought and debate about Trump's beginnings and his rise to power. These discussions are heightened by the fact that the story is not far removed from current political reality, as the subject himself remains a figure of significant influence and speculation in national and global politics.

On the other side of the legal debate, film critics and cinema enthusiasts are lauding Abbasi's bravery and artistic vision. The film industry often operates within the tension between creative expression and the risk of controversy or even legal action. In the case of 'The Apprentice', cinephiles point to the necessity of films that push boundaries and explore polarizing figures without the fear of repression or silencing. The movie's merit is not solely in its candid exploration of Trump's life but in the broader commentary on power dynamics and the making of an influential modern figure.

Apart from the legal and ethical debate, there is also a discussion regarding the impact 'The Apprentice' could have on viewers and the broader cultural understanding of Donald Trump. Art shapes perception, and films, in particular, have always had the power to influence public opinion. This impact may extend from the specifics of Trump's personality and history to the zeitgeist of an era that allowed for his rise to prominence. As such, the reactions to the film may say as much about contemporary society as about the controversial figure it depicts.

Furthermore, the depiction of Roy Cohn in the film adds another dimension to discussions of legacy and influence. Cohn's historical role as an advisor to Senator Joseph McCarthy during the anti-Communist hearings in the 1950s and later as Trump's personal lawyer is a story of mentorship and a transfer of tactical knowledge. Jeremy Strong's portrayal of Cohn has garnered critical acclaim, highlighting the intricacies of such a controversial figure and his alleged influence on Trump's strategies and demeanor in business and politics.

The legal skirmish has yet to reach a courtroom, but the defensive stance of Trump's representatives suggests a wariness of the cultural and historical verdict that 'The Apprentice' may imprint on the public consciousness. This cinematic portrayal comes amidst a turbulent political climate and serves as a reminder of the continuing debates around truth, narrative shaping, and freedom of artistic expression.

It is also important to consider 'The Apprentice's' place within the larger context of film history and how biopics, as a genre, have evolved. Historical accuracy in cinematic portrayals can sometimes be at odds with the demands of filmmaking. In tracing the fine line between fact and creative interpretation, 'The Apprentice' joins a long tradition of films that dramatize the lives of public figures, often leading to controversy regarding the subject's portrayal.

Such explorations and representations of contested narratives are part of what makes film festivals like Cannes a vital platform for artistic expression. It is a stage where the celebration of creativity meets the complexities of real-world implications, as demonstrated by the range of reactions to 'The Apprentice'. Regardless of the legal outcomes, the film's premiere at Cannes guarantees that it has already left a mark on cinematic and political discourse, inviting scrutiny and discussion that goes beyond the walls of theaters and the confines of the film industry.

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